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Rupankar Bagchi forced to remove an offensive video of remarks he made against late singer KK

Rupankar Bagchi’s arguable comments approximately KK sparked outrage on social media. It all began out while the countrywide award-prevailing singer got here up with a Facebook stay video some days ago, simply hours earlier than KK died in Kolkata. Rupankar, at the same time as interacting with fans, wondered the hype surrounding KK’s live performance in Kolkata, claiming that there are numerous artists in Bengal who can sing higher than KK. He had no concept what he became getting himself into hours later. Since then, he has been relentlessly mocked, criticized, and subjected to private insults, in addition to receiving loss of life threats over the phone.

And now, withinside the midst of all of the backlash, Rupankar has eliminated the contentious video that began out it all. Because of the gravity of the situation, his spouse needed to ship a letter to the neighborhood police station to document the loss of life threats. Not most effective have netizens condemned the famous singer’s comments however so have a number of his enterprise peers. Although nobody blames Rupankar for KK’s loss of life, the manner he expressed the ones comments on his Facebook stay embarrassed Bengal as it became surprising from the sort of famous figure.

Rupankar’s Facebook Live video on Tuesday afternoon sparked the debate. Hours earlier than the show, the famous artist made a few unsightly comments approximately KK. The singer became now no longer thrilled with Bengalis’ enthusiasm for a Mumbai-primarily based totally singer. He claimed withinside the video that today’s Bengali performers do now no longer acquire the popularity they deserve. “Who is KK, man,” he asked, including that he and plenty of different Bengali singers can sing higher than KK. “Why a lot exhilaration approximately KK’s live performance? Why a lot obsession with Mumbai,” a number of his questions in his stay.

However, in an interview with the media later that evening, Rupankar tried to make clear himself. He stated that his submit became misinterpret and that he didn’t need to solid questions about KK’s skills. He became most effective expressing his dissatisfaction with the overall public’s loss of hobby in Bengali artwork and culture. However, the damage had already been done.

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